Jeunes bourgeoises recto verso

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Ben Kalmen est un homme d'affaires sur le retour, qui profite de son charisme et de son charme encore bien vivant pour séduire des femmes plus jeunes, beaucoup plus jeunes que lui, et revivre ainsi sa jeunesse, une nuit à la fois. Laissées derrière, loin derrière, dans le sillage de ses nouveaux caprices, son ex-femme, sa fille, sa nouvelle petite amie et sa fille de dix-huit ans, qui forment à elles seules son univers décomposé, s'évadent, s'éclipsent, une seconde à la fois, sans qu'il ne soit capable de les empêcher. Bientôt, avant qu'il ne soit trop tard, et si cela lui importe réellement, il devra réagir. Bientôt.

Baudrillard sees the power of the terrorists as lying in the symbolism of slaughter—not merely the reality of death, but in a sacrifice that challenges the whole system. Where previously the old revolutionary sought to conduct a struggle between real forces in the context of ideology and politics, the new terrorist mounts a powerful symbolic challenge which, when combined with high-tech resources, constitutes an unprecedented assault on an over-sophisticated and vulnerable West. This new edition is up-dated with the essays "Hypotheses on Terrorism" and "Violence of the Global". ...

Max e tornato grande un anno fa e sembra ieri. Quest anno e passato molto velocemente, abbiamo deciso di festeggiarlo insieme a voi, cari lettori, e per festeggiare degnamente vi regaliamo due poster di Belen. Una ragazza che va di fretta, nella sua corsa verso il successo.

Max e tornato “grande” un anno fa e sembra ieri. Quest’anno e passato molto velocemente, abbiamo deciso di festeggiarlo insieme a voi, cari lettori, e per festeggiare degnamente vi regaliamo due poster di Belen. Una ragazza che va di fretta, nella sua corsa verso il successo.

Modern philosophy of science has paid great attention to the understanding of scientific 'practice', in contrast to concentration on scientific 'method'. Paul Feyerabend's acclaimed work, which has contributed greatly to this new emphasis, shows the deficiencies of some widespread ideas about the nature of knowledge. He argues that the only feasible explanations of scientific successes are historical explanations, and that anarchism must now replace rationalism in the theory of knowledge. The third edition of this classic text contains a new preface and additional reflections at various points in which the author takes account both of recent debates on science and on the impact of scientific products and practices on the human community.

Director: Julio Medem
Cast: Elena Anaya, Natasha Yarovenko, Enrico Lo Verso, Najwa Nimri
A hotel room in the center of Rome serves as the setting for two young and recently acquainted women to have a physical adventure that touches their very souls.

"The more needs a human being has, the more he exists," quips Lefebvre in a savage critique of consumerist society, first published in 1947. The French philosopher, historian and Marxist sociologist, who died this summer at age 90, meditates on the dehumanization and ugliness smuggled into daily life under cover of purity, utility, beauty. He deconstructs leisure as a form of social control, spanks surrealism for its turning away from reality, and attempts to get past the "mystification" inherent in bourgeois life by analyzing Chaplin's films, Brecht's epic theater, peasant festivals, daydreams, Rimbaud and the rhythms of work and relaxation. Rejecting the inauthentic, which he perceives in a church service or in rote work from which one is alienated, Lefebvre nevertheless seeks to unearth the human potential that may be inherent in such rituals. ...